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Because he believed that that creation followed a cosmic catastrophe and a fall of spiritual beings into matter, Blake discusses Gnosticism, a multi-faceted religious movement that has run parallel to mainstream Christianity (Friedlander, 1999). Unlike most other Gnosticizers, Blake sees the world as a wonderful place, but one that would ultimately give way to a restored universe. For Blake, the purpose of creation is as a place for personal growth, in preparation for the beginning of our real lives. While the natural world contains much that is gentle and innocent ("Songs of Innocence"), those who are experienced with life ("Songs of Experience") understand that life can be terrible and frightening.
Blake's poem, "The Tyger," which finishes without an answer, is basically about our own experience of not getting a completely satisfactory answer to the important question of faith. It is aklso about having our reason overwhelmed at once by the beauty and the horror of the natural world. "When the stars threw down their spears / and watered heaven with their tears" is the most difficult part of "The Tyger."
According to Friedlander (1999): "For Blake, the stars represent cold reason and objective science. (They are weaker than the Sun of inspiration or the moon of love. Their mechanical procession has reminded others, including the author of "Lucifer by Starlight," of "the army of unalterable law"; in this case the law of science.) Although Blake was hostile (as I am, and as most real scientists are) to attempts to reduce all phenomena to chemistry and physics, Blake greatly appreciated the explosion of scientific knowledge during his era. But there is something about seeing a Tyger which you can't learn from a zoology class. The sense of awe and fear defy reason. And Blake's contemporary "rationalists" who had hoped for a tame, gentle world guided by kindness and understanding must face the reality of the Tyger."
The Tyger" poses a question: who could have dared to create a beast as terrifying as the tiger? (Blunt, 1959) Blake compares the creation of...
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